From ping pong to Pyongyang
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By Kathryn Westcott
BBC News |

One of America’s premier orchestras is tuning up to perform a politically charged concert at the heart of a country the US president once consigned to the “axis of evil”.
Overture of friendship: Lorin Maazel foresees “peaceful interchange”
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The New York Philharmonic - at the invitation of the North Korean regime - will, in the words of conductor Lorin Maazel, showcase the vitality of American music.
The East Pyongyang Grand Theatre, more used to staging operas depicting the country’s struggle against imperialist oppressors, will resound with the strains of Dvorak’s New World Symphony, George Gershwin’s American in Paris, and even the Star-Spangled Banner.
This is the latest attempt by the US to reach out culturally to a nation that has been taught for decades to hate or fear it.
Ahead of the 24-hour trip to Pyongyang, Mr Maazel argued that “bringing peoples and their cultures together” can lead to “roots of peaceful interchange.”
Diplomatic harmony
The assumption is that culture - particularly music, a universal language - can be life-changing, powerful enough to help build understanding between the two countries.
Table tennis paved the way for Nixon’s groundbreaking visit
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Cultural diplomacy has never been regarded as a replacement for nuts-and-bolts diplomacy but the view that it can help break down barriers is widely held.
In 1971, China and the US had its famous “ping pong diplomacy”. The US table-tennis team were invited to play in China, making them the first American group allowed into the country since the Communist takeover in 1949. This helped pave the way for Richard Nixon’s historic trip a year later.
US orchestras have a long history of making ice-breaking trips into politically hostile territory.
“The US wanted to win the Cold War with violins and trumpets,” says Jonathan Rosenberg, professor of history at Hunter College and the Graduate Center of the City University of New York.
“During the 1950s, the trips were organised by the State Department. The US wanted to show a better, softer face.”
In 1956, The Boston Symphony Orchestra made a groundbreaking trip to the Soviet Union. The musicians were given an overwhelming welcome on the tarmac at Leningrad airport and a 10-minute ovation at the first performance in Moscow.
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